In this context, “the last mile” of automation refers to “the gap between what a person can do and what a computer can do”, as Gray and Suri defined in their book. Unfortunately, traceability is a computationally intensive feature that hinders the tools’ performance with complex AD programs – especially model-to-algorithm traceability, which explains why some commercial visual-based AD tools avoid it. Those that provide it inevitably experience a decrease in performance as the model grows. All referred text-based and hybrid options are academic works, built and maintained as proof of concept and not as commercial tools, which explains their acceptance of the imposed trade-offs. A possible solution for this problem is to allow architects to decide when to use this feature and only switch it on when the support provided compensates for the computational overhead . In fact, traceability-on-demand is Khepri’s current approach to the problem.
For some parts of the discourse on digital computation, perhaps it’s as if history started in the Bell laboratories, or something like that? It started in the US with the beginning of mass computers and stuff like that. But I think, Roberto, of course, has done a lot of work on building bridges, and making us understand that the bridges go a lot further back in time, in fact. So, there have been a few moments where of course the role of technology and computation has been understood in terms of its cultural implications.
Ruskin’s truthfulness is based precisely on the understanding that matter has a specific inner character that makes it heterogeneous, while the vitalism of Steiner alludes to the metamorphic capacities of living beings. The original mould was far more expensive to manufacture than its copies, so the casting of objects had to bundle available resources. This required high investments in order to start production, leading to an increasing centralisation of resources in order to scale the mass-fabrication of standard objects for production on an assembly line. Self-replication provided by 3D printing means that resources do not have to be centralised.
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Feminist critiques of science have also invoked notions of place and locality to question the epistemological objectivity of science. The concept of situated knowledge comes from Donna Haraway’s work to envision a feminist science. Situated knowledge can reconcile issues of positionality, subjectivity, and their inherently contestable natures to produce a greater claim to objective knowledge, or what Sarah Harding has defined as “strong objectivity”.
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Every building is controversy, or call it multiplicitous, because architecture is pre-logical in a sense. It is also the point where the discussions on beauty depart in architecture. With ease you can describe a building in the first instance through the distribution of its cells. You can describe a housing project just through the part-relation of a shared wall between two flats only. But how do you describe the mountain which Moshe Safdie designed by stitching together the shared walls of flats in such a way that their roofs turn into terraces? It will be fundamental to find a way to compute what is common, what is collective between the parts.
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The well-known “cellular automata” algorithm applies a similar logic; a “Langton’s ant” uses a comparable logic. Figure 2 – A situated visualisation combining physical cinematography and virtual cinematography to show a particle simulation of flood waters.Alluvium’s scenes are a hybrid composition of film and digitally produced simulations that use the technique of camera-matching. The work visualises the geomorphological consequences of water beyond human-scale perception. A particle animation was developed using accurate topographic models to simulate water discharge over a significant period. Alluvium compresses this timeframe, providing a sense of a geological scale of time, and places the representation and simulation of data in-situ, in its original environment. Today, with the increasing access to large data sets and the notion that data can be extracted from almost any phenomena, data has come to embody a sense of agnosticism.
The large-scale physical transformations produced in the environment through extractive practices have blurred the boundaries between the “natural” and the “artificial”. The morphology adopted in each scale is determined by three parameters simultaneously. First, climate control through water performance; second, the material search for spaces that allow coexistence; and lastly, the historical symbolism to which the basilica typology refers. A Creaform HandyScan 700 Scanner is deployed to obtain the map for Contiguity’s intervention. The random pattern generates reference points for the scanner to register and construct local relationships. After the targets are placed, each scanning session takes around 20 minutes.
These aspects of structure are obliterated in the identity conditions for composed entities, if the respective obliteration principle holds. They are by contrast countenanced in the identity conditions for composed entities, if the respective principle fails. There is a third group of recent experimental architectural proposals in which parts are ecological parts; they operate as a set of distinct objects that intertwine with one another under the gravitational field of different systems. The notion of ecology should be interpreted here in keeping with the etymology of the Greek term oikos. Its meaning is that of “house” understood as the set of people and objects forming a domestic space and being regulated by the economy .